Quote from the article: “The inclusion of intrusive DRM softwares [sic] like Denuvo is a choice that yields an unfair punishment on the consumer,” Running With Scissors says. “Respect the consumer, make a game they want to play, and you will never feel the need to fight piracy. The gaming industry deserves a better future, fight for that.”
I actually agree with you here, but I had a serious experience years later that changed my mind on the whole thing. It’s perfectly fine for folks like us who have any kind of media literacy to understand that it’s maybe not meant to be making fun of Muslims, but rather America, but…
GTA 5 has this torture scene, right? It hit me like a brick wall one day when I met people who read that scene way, way, way differently than I did. I had read it as an indictment of torture. The problem is, there’s way too many people who think that scene is cool as fuck and want to do that kind of shit in real life. It’s like the people who look up to Scarface from the movie Scarface. Like these characters aren’t good people or people to look up to, but because America is full of violent uneducated fucking yokels you had a bunch of absolute fucking idiots taking the exact opposite message from it. ( I mean, just look at Trump voters…)
You can’t control how others interpret your art, and if you’re not clear enough, you might end up in a similar position as the people behind Postal 2 and GTA 5, where you have a lot of folks totally misinterpreting what you’re trying to say, and then deciding it means vile, horrible things are not just okay, but cool.
It’s actually something I worry about a lot in life, because I’ve had so many times where I thought I was teaching a person one thing, but it turned out I was accidentally teaching them something horrible. In a country with basically no media literacy and an average 7th grade reading level, we can’t actually take it for granted that absolute fucking morons might misunderstand us.
The problem in particular with Postal 2’s caricature of the views of Muslims in America is that functionally, most Americans who played the game never understood that intent or cared. So when it came down to it, they further entrenched those ideas in the American consciousness, instead of them being read by most people as a critique. Was that their intent? No. Does it matter that the opposite happened? Yes.
That’s a valid take, and actually explains why a large number of people will never understand the nuances or even primary message of art. For example, conservatives discovering the true meaning of “killing in the name of” by rage against the machine.
I suppose RWS knew the consequences of this, which reveals the nihilistic backbone of the game’s theme.
I’m not sure they knew the consequences, I think at the time, like me, they actually had more faith that the majority of Americans would read it as what it was. As a young person, I definitely thought there were more thoughtful people.
It’s easier to critique now, 20 years on, because we’re not experiencing the same things the video game industry was at the time. From the insufferable Jack Thompson to Hillary Clinton wanting to ban GTA over the leaked Hot Coffee code that wasn’t in the main game, but locked away in files inaccessible to most, the industry was under attack and being blamed for all Americas ills. Several games, but mostly GTA and Postal, were holding up a mirror to American society and saying things similar to what I said in my last comment: “America has a bunch of ignorant violent gun-toting people living in it, and they were there before video games were, it’s a violent consumer and celebrity obsessed society, so America maybe you need to sort your problems first before blaming us.” At the time, a fair stance to take, but 20 years on, a decision that lead to a lot of negativity and more mixed feelings on the legacy of the game due to it.
It was easy to think back then that acceptance of gaming in the mainstream wasn’t a given, but games now out-profit movies, and some of the biggest “blockbusters” are games. We were honestly probably worried over nothing.