The Picard Maneuver@lemmy.worldM to TenForward: Where Every Vulcan Knows Your Name@lemmy.world · edit-25 months agoData is becoming too smart for his own goodlemmy.worldexternal-linkmessage-square64fedilinkarrow-up1483arrow-down18
arrow-up1475arrow-down1external-linkData is becoming too smart for his own goodlemmy.worldThe Picard Maneuver@lemmy.worldM to TenForward: Where Every Vulcan Knows Your Name@lemmy.world · edit-25 months agomessage-square64fedilink
minus-squareThe Picard Maneuver@lemmy.worldOPMlinkfedilinkarrow-up7arrow-down1·5 months agoBut I love classical and jazz!
minus-squareFlying Squid@lemmy.worldMlinkfedilinkarrow-up8·5 months agoHey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
minus-squareThe Picard Maneuver@lemmy.worldOPMlinkfedilinkarrow-up8arrow-down1·5 months agoIt’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters. I guess they were thinking that classical and jazz seem a little more timeless?
minus-squareFlying Squid@lemmy.worldMlinkfedilinkarrow-up13arrow-down1·5 months agoI think it was more likely a licensing issue. Most classical music and many jazz standards are public domain. I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
But I love classical and jazz!
Hey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
It’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters.
I guess they were thinking that classical and jazz seem a little more timeless?
I think it was more likely a licensing issue. Most classical music and many jazz standards are public domain.
I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
Worf’s jam was Klingon opera in DS9