My smartphone isn’t a phone with “extra” features to me. My smartphone is a portable personal computer with extra sensors, a GPS receiver, and wireless internet, which also happens to have a phone app. I don’t want to carry an extra “dumb” phone. I would prefer my smart watch to be the communication and identity hub for me and my devices: holding the SIM card, acting as a wifi hotspot, routing calls and internet to my handheld brick or laptop, etc. Instead of acting like a third party add-on, it would be a mostly distraction free core. Let me use a smartphone, laptop, steam deck, cobbled together cyber deck, or whatever else have you as my local screen, storage cache, and/or proper desktop. Then I can put the screens down or leave them behind without feeling cut off or potentially stranded in a world that practically requires it to navigate with any ease. I want a smart watch that enables me to leave the house without car keys, driver’s license, and credit cards; essentially with nothing but my watchphone. I want to be a cyberpunk Dick Tracy. What I want, with the freedoms and open standards I want, with the privacy I want, without being locked into a single monopoly walled garden, is probably a pipe dream. I want what is probably the next evolution of the “year of the Linux desktop”. But a kid can dream.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

To a gator you are only easy food, troublesome food, or not food. (Momma gators may make the additional distinction between “threat to my brood” and “not a threat to my brood”.) They are opportunistic feeders, so them seem chill. They are NOT chilling, they are patiently waiting, conserving energy, for an opportunity for troublesome food to make itself easy food. A relatively fast moving and agile human feeding a gator is troublesome food dispensing easy food. Either way, to a gator fed by people, you (and by association any other humans) are just food that hasn’t become easy food, yet. They aren’t chilling, they are waiting for an opportunity.

It seems likely that this guy is keeping this gator in a climate a little cooler than what the gator is used to. Cold gators don’t just slow their movement. Their entire metabolism slows down. Cool enough (and I’m talking mild Florida winter cool here) and the gator may stop eating for a few weeks or even months. It may not even bother going after easy food if it’s cool enough because it’s body may not be able to digest it even if it did. That’s probably when photos like this would be taken. A zonked out cold gator with a belly full of rotten meat that it can’t digest until the temperature rises.

The whole scene here looks like that girl from the walking dead with zombie pet. It’s all going to end very badly one day.

A note about surge protectors: Make sure they are actually surge protectors and not just “power strips” that Amazon has mixed into the search results. Power strips are easy to find in many varieties, made by any number of fly-by-night companies; they’ll do nothing to help protect your stuff from power surges. Legitimate surge protectors from reputable companies are much less common. Also, they don’t last forever. An older surge protector may still work as a power strip, but over time they may become much less effective as surge protectors.

Hot take: Most metal is just Classical Music II Electric Bugaloo.

The nostalgia is the point. Nobody stores crackers in barrels anymore, but everybody did then because it was the best option at the time. Same reason the save icon is a floppy disk.

I’d ask a couple thousand people to guess in private. So the most popular answer would probably be either surprisingly close to correct or Cuppy McHazelnutface.

Same era, I used to playing games on my calculator. I suppose you still can, but I used to do it. I remember I had RISK on my TI-89, but the games on my TI-82 were on par with the version of snake shown in the post. We would even trade the games around with the kids that didn’t have a computer and/or Internet at home. We’d connect them with funky little cables that looked like audio jacks.

Wait till they hear about the people farming, harvesting, and shipping the vegetables.

Are these ratios of hours online in a day (3:11 implies 3 out of 11 hours) online per day? That seems unlikely given how difficult comparisons like that would be to make.

That leaves the other option that these “hours” are actually hours and minutes (hours:minutes). But, that option is almost as bad simply because then the map subtitle has lied to us through omission in not mentioning minutes.

This map should have either just shown the number of total minutes or shown the hours in decimal rounded to a sane number of significant digits. Making a distinction of a minute or three amongst such broadly general averages of almost certainly guesstimated numbers self reported in a survey seems a poor choice.

Have you never actually seen a crosswalk before? Because I’m having trouble figuring out which part of these rainbow flag colored crosswalks makes them look any less like a crosswalk or makes them less visible or recognizable in any way. Literally the only other pavement marking that comes anywhere near looking like or being placed in the same way on a road is a stop bar. And guess what, car drivers routinely mistake the plain crosswalks for stop bars, thereby blocking the crosswalk. Making the claim that painting a pedestrian crosswalk in bright colors somehow makes them less visible or recognizable has got to be the dumbest argument I’ve heard this week.

Somebodies lying (or at least being deceptive). I checked the link. There’s no mention of 20 countries anywhere. Nobody said 20 countries here either. Setting that pedantry aside. In fact, even if it were used by significantly fewer than twenty countries, the ones that without a doubt do use them are spread around the globe. Thus, they are used globally.

David Byrne. Stop Making Sense

A fucking Members Only pizza.

It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.

There was a scene in Braveheart we had to skip when we watched it in middle school. I’m sure many convinced their families to rent Braveheart from Blockbuster for “homework” later. At this point, I don’t even remember what the scene was. Maybe there was a penis? Probably it was just butts or boobs. The corpses and violence were of little concern.

There was that one time we watched a particular version of Romeo and Juliet and the teacher was delightfully inept at skipping scenes. That girl was barely older than most of us.

0? Hardly. For a simple pop-culture counterpoint, V for Vendetta was written as an indictment of the UK’s slide into fascism. It was published in 1982. Fascism doesn’t happen overnight, it’s a slow boil erosion of rights and democracy that works in the shadows of government over decades to dissolve checks and balances from the inside and within the law.

I have cable. It doesn’t really work like that anymore. I used to be able to click through ALL the basic cable channels, catching a frame or two of every single channel, with zero delay between channels, all within like under a minute. These days every channel change or menu selection has a built-in delay of at least a second or two. Channel surfing just doesn’t vibe the same anymore. That form of TV is mostly if not entirely dead.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.