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![](https://lemm.ee/pictrs/image/bcf80a6c-4a2b-4c68-b739-e8ccfa3bea3c.webp)
Man, look at the line work in those original comic panels then compare them to pretty much any modern comic (book or gag), where almost all line work gets filtered through Apple or Adobe Corps. Real shame.
EDIT: I didn’t mean to shame digital artists. Digital artists are amazing pioneers doing things artists fifty years ago could only dream of.
I’ve been thinking a lot lately about our modern idea of illustrative brush strokes being filtered through those two corporation’s algorithms, how those algorithms were originally intended to imitate the real thing, and how artists actually use them in practice. That’s what I was eluding to really poorly.
My bad for sounding like a rude dick.
It’s acrylic and 175 x 282 cm, or about 6’ x 9’.
Amazing vibrant colors and deep blacks, just gorgeous. I wonder if it’s that explosive in person?
Thanks for sharing.