I recently saw Star Trek Picard, the first season was okey, season 2 was awful, the season 3 was nice.

Acording some critics last Discovery season is bad, so now I’m afraid of looking a series who has a bad ending, it worth to watch or is as painful as Picard Season 2? Or I should watch Strange New Worlds and Enterprise instead?

  • BradleyUffner@lemmy.world
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    1 day ago

    There is an entire season about warp drive not working anywhere in the universe. It turns out that it stopped working because an alien got really sad. Not because he did anything because he was sad, just because he got sad. Ohh, and somehow the Vulcans, with all their logic, never thought of tracking down the cause by triangulation.

    That was the end of the series for me.

    • surfrock66@lemmy.world
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      1 day ago

      This, and he wanted connection from someone of his species, and the first officer of the one ship that can overcome the plot debuff happens to be that species, a species we barely see outside this plot…it’s writing so bad you can’t see the show through it. Emotional stories are appropriate, it’s why Troi was a bridge officer. But this show was constantly setting up unsolvable problems that could only be fixed by this one crew, which breaks immersion. Good trek doesn’t have 50 Galaxy or universe ending threats only fixable by plot-armored main characters, it has ship, person, and planet level threats giving you the space to appreciate the human story. Even DS9 kept the stories on missions while the thread of the war was just a hum with reasonable stakes.

    • StillPaisleyCat@startrek.website
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      1 day ago

      I really find this narrative offensive.

      First there’s the mischaracterization of a very young and completely dependent who child completely abandoned with the death of the last adult who cared or supported him.

      But more than that, Star Trek is littered with a trope about children with incredible powers to interact with the universe who nearly destroy the galaxy or civilizations or large swaths of them.

      It started with Charlie X, and was taken up by every other series, sometimes more than once.

      On all those other occasions, our hero ship and crew miraculously saved the day and prevented disaster by psychic or superpowered child who was incapable of adult decision-making.

      Discovery called the bluff.

      Discovery reversed the trope, had the child’s powers actually destroy civilization.

      Instead of the hero crew stopping the disaster in the nick of time (again), Discovery finds the child and solves the problem.

      And long time fans are offended by THAT?!!

      • Corgana@startrek.website
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        1 day ago

        Honestly, when I hear that interpretation it makes me feel like the person didn’t actually watch the season, they just watched the outrage peddling influencers online.

        Semi-related but I lost count of the number of times someone on Reddit described Adira’s coming out (a ten second moment in a larger unrelated scene) as a “huge story arc” or being comprised of “multiple episodes” being “shoved in the audiences faces”. I felt like I was taking crazy pills until I learned that’s exactly how the outrage-tubers were presenting it. If you’d never watched the season you’d have no idea it was such an inconsequential moment.

        • BradleyUffner@lemmy.world
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          1 day ago

          Honestly, when I hear that interpretation it makes me feel like the person didn’t actually watch the season, they just watched the outrage peddling influencers online.

          Sorry to say, I watched every single episode, up until the end of that season, myself. I’ll admit to being extra harsh in judging this season since I was already pretty fed up with the writing by that point. I had very little patience left.

          • Corgana@startrek.website
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            1 day ago

            I’m sorry, but if you truly watched the entire season, you’d know that your description of the events is incongruous with the events as presented on screen.